In Spring, Nick Cave should have been embarking on his European tour with the Bad Seeds. Frenzied fans from Antwerp to Zurich should have been screaming the words of ‘The Mercy Seat’ back at him, touching the hem of his Gucci suit, and hearing just how the extraordinary, ethereal Ghosteen was going to work live. We’ll have to wait a while for all that.
Instead, Nick launched Bad Seed TeeVee, a 24/7 YouTube channel that rotates a generous selection of music videos, interview clips, outtakes from films, ferocious live performances, and other odds and ends from the Cave archive.
I’ve dipped into this channel many, many times since April. In the early weeks of its existence, fans in different timezones were swapping notes on how long they reckoned the loop of footage to be. Some of us were setting our alarm clocks for the next chance to catch an engrossing, previously unseen 40-minute jam from the Skeleton Tree sessions, ‘Life Per Se’. Since then, the channel has evolved, and kept on surprising. There have even been weekends devoted to fan-made music videos and fan cover versions. On 26th November, Nick will be joined by ex-Bad Seeds Mick Harvey and Blixa Bargeld for a Murder Ballads listen-along commentary.
Beyond the non-stop delights of Bad Seed TeeVee, back in July Nick beamed a solo piano performance entitled Idiot Prayer into our homes. Recorded in an eerily empty Alexandra Palace, it was a gig like no other – song after beautiful song plucked from his back catalogue, punctuated only by the shuffle of Nick’s lyric sheets and the clink of his gold rings on the ebony of a gorgeous Fazioli grand. The whole thing is soon to be released as a double live album.
Nick has also continued to field questions on his agony uncle blog, The Red Hand Files. The answers are often hilarious – I loved the string of posts about his attempts to secure a piano like the extremely expensive one he used in Idiot Prayer. Just as often, they have humbly suggested ways we might cope with these turbulent times.
Nick Cave’s work has long thrilled and inspired me – I’ll sometimes just watch the final monologue from 20,000 Days On Earth when I need to borrow a jolt of creative energy. I needed as much of that as I could get in 2020, so I appreciate how Nick’s managed to find these new ways to connect with us throughout this difficult year, across the void.
I can’t wait to see him live again, someday, and thank him in person.
Things that helped is my series of posts about the stuff that kept me going in 2020.